We have not always closed our eyes to pray.
Why do we, anyway? Is it because we assume that prayer involves deference – and thus, we “bow our heads” and close our eyes? Hard to say. But the practice of closed-eye praying is a relatively recent innovation in the long history of Christian devotional practices. Do we imagine that the One to whom we address our prayers hides in the darkness? Mystics have often wondered about this, and some of the most daring of poets. Do we assume that, because God is “invisible,” we should not open our eyes to the see-able world? Or is it that we have a more difficult time concentrating on the one we call “God” with open eyes?
All interesting questions to consider.
This may appear a small matter at first glance, but as is often the case such questions often usher us into a much larger and more interesting horizon.
But what about prayer with closed eyes? Before the Protestant Reformation, the notion of praying with one’s eyes closed would have been exceptional. Peculiar; perhaps even a bit bizarre. Early Christians raised their arms to the heavens, often looking up – with their eyes open, of course. And throughout the Middle Ages, prayer was often visual, at least if done inside the church, focused by a meditative gaze upon a painting on an altar. Further, the medieval liturgy was a pageant more than a “service” as we understand it: it was an event that happened in space and time. It was here: “Hoc est corpus meum,” the priest intones at the high point of the mass. “This is my body.” And, note well: the pronoun “hoc” signifies a spatial reference. It is a way of saying here and not there. This and not that.
It points to a place, a real event. Something happening; visible; tangible. Something we see. Presumably with our eyes open.
In the medieval period, people gathered (when they did) in the churches not primarily to hear; they came to see. At the moment the priest intoned these words, standing before the altar and facing away from the people, he lifted high his hand to reveal. . .the place where Christ had become present. Here! Now! Look, and see!
Medieval religious culture in the Christian west was primarily a culture of seeing. Religious life involved the sacred place of churches, and these always were saturated with images: on the walls, in the Romanesque basilicas; in the stained glass windows of the Gothic cathedrals; and, of course, on the altars where the sacrifice of the mass was celebrated.
But things didn’t stay that way, as you know.
It was the Reformers, and most particularly those of the Reformed heritage – that is, our heritage – that “stripped the altars,” as one historian has described the impact of the age of reformation. They destroyed the sacred images, cleansed the churches of every image of the divine, tore out organs, destroyed the statuary. Wreaked havoc, in other words, with costly and treasured “things.” The aesthetic of a New England meetinghouse might be understood as the inevitable gesture at the end of a long trajectory of iconoclasm – that is, the destruction of images.
And so, the early reformers encouraged the practice of prayer with closed eyes, carrying on a much older tradition – cultivated by St. Augustine, among others – that the eye was trustworthy. There is a gospel saying about this: “If you eye causes you to sin, pluck it out; it is better for you to enter the kingdom of God with one eye than with two eyes to be thrown into hell” (Mk. 9.47), and, “Whoever looks at a woman lustfully has already committed adultery with her in his heart. If your right eye causes you to sin, pluck it out and throw it away. . .” (Mt. 5.28).
The reformers turned the attention of the human senses from seeing to hearing, not trusting visibility and turning rather to audibility. Their watchword became the text from the apostle Paul: “Faith comes from what is heard, and what is heard from the preaching of Christ” (fides ex auditu; Rom. 10.17). This was an abrupt and even drastic change: henceforth, the church was understood no longer as the site of theatre, of a great and dramatic pageant – “making” Christ present in the humble form of the Eucharistic host. No, the church became an auditorium, a place to hear. . .preaching. And this meant, primarily, a place to instruct, to exhort, perhaps even to delight – the ear, not the eye. This favored preaching, above all, and music – at least, among the Genevan purists, scriptural texts chanted a cappella. No instruments, of course, but certainly also no choir; the congregation was to become the “choir” singing biblical songs in unison.
And when these early reformers prayed together, the practice emerged that they would do so with closed eyes, shutting out the distractions of the visible world, the visual world, the world of image and movement, of bodily life with all its beauty and banality.
What I am suggesting thus far, of course, is little more than an interesting historical lesson. The Reformation, at least in the Reformed tradition, shifted the religious experience from something visual to something auditory. The eye was still important, of course, but primarily to read – again, an experience known to relatively few in the pre-modern period, not least because of the relative scarcity of books. Why would you learn to read if you had nothing to read? What advantage would it have? And, if Latin was the spoken medium of the mass, what advantage did hearing have for those without any access to the meaning held in this particular language? Seeing, not hearing. And, note well: in English, as in Latin and in Greek, the verbs for “seeing” and “understanding” are interchangeable. When we say, “I see what you mean” we are saying, “I understand what you are saying.” Seeing is understanding.
The Reformation may well have been shaped by theological change, at least for the learned theologians who stood atop the mountainous learning this required. But at a deeper and more far-reaching level, it was an ecclesiological revolution. And, for most, the revolution had a quite specific shape: it privileged speaking and hearing over seeing. What a change this was from the medieval liturgy, where the people did indeed hear “religion,” but always in a mysterious tongue they – and usually their priest as well – could not understand. “See!” the mass suggests. “Look!” Here – hoc – is my body. Receive this miracle first, and often, with your eyes. It is here, and now, in this “place.”
Early Protestants, of course, no longer had much to look at. They now “heard” religion in their own tongue, in the “vulgar” or “common” form of everyday speech. And, of course, they came into church buildings now stripped bare of images, with “regular” services no longer building as a crescendo toward the consecration of the Eucharist.
This is quite strange, for at least two reasons: first, because seeing is a much more developed sense in humans than hearing, which may suggest a genetic hard-wiring within us that privileged vision as the primary sense required for human survival; and, second, because seeing has to do with what used to be thought of as contemplation (from the Latin contemplari, “the act of looking at” – from cum + templum, a “place for observing auguries”). In the long tradition, this mode of seeing was understood to be a passive act. We might call it attentiveness. Letting in what is “there,” in the “place” we are looking.
Final reflections. We have largely lost this practice of contemplation, meant here as a particular form of attentive looking – not only in the church, but surely also in the church. Indeed, we might go further than this: attentiveness generally is on the skids in a distracted culture like ours. We live immersed in images, but these are generally moving images. The “movies”! But one attends to something that is constantly shifting, changing, in an altogether different way than one attends to a still image.
Much was gained in this auditory revolution. But something important was also lost: the experience of the gaze, which we only experience when we give ourselves over to something with a full attentiveness.
Only the contemplative act brings us to the inner depths – or what Frederick Buechner calls “these hungering depths” – ours, of course, but also and perhaps just as importantly the “depths” of those “others” with whom we share this earth. It is thus a moral act, not simply a formal gesture of the eyes. It is a Sabbath, a “Shabbat,” for us – which means, in its root, a ceasing, a turning from our relentless need to manage the earth, our lives, to order time and control space.
Contemplation. Giving ourselves over to the “temple” where we might be changed; our hurry interrupted; our panic subdued; our self-importance challenged. And, yes, the gaze by which we honor the presence of beauty all about us, recognizing it as the presence that rises from the “hungering depths” within us – and all others.
Open your eyes. Look hard and long at this world that is creation happening still among us. Pray without ceasing.
Mark S. Burrows
Faculty Director of the Program in Worship, Theology, and the Arts and
Professor of the History of Christianity